𝐁𝐄𝐋𝐎𝐕𝐄𝐃 is a collection about what it means to be known and held — by memory, by culture, by love that lasts. To me, 𝐁𝐄𝐋𝐎𝐕𝐄𝐃 is about loving unconditionally. It is the kind of love that doesn’t need to prove itself. It’s knowing you’re chosen, set apart, and loved fully, not for what you do but simply for who you are.

We looked to Singapore’s golden age of film, to Zubir Said’s wish in “Semoga Bahagia” that we all reach for our ambitions and achieve happiness. To Peranakan gates and warmth of old batik motifs. But this isn’t nostalgia, it’s reimagining what we hold dear and giving it new life.

Across the prints are florals and little critters that carry meaning close to home. Bats, which are symbols of blessing and abundance; dragonflies which signifies change and maturity, and sparrows for smallness that holds completeness (麻雀虽小，五脏俱全). They remind us that beauty often lives in what is small, simple, and familiar. Hayao Miyazaki, HAVEN holds space for softness without fragility.

You’ll find mid-century influences softened at the edges. Flora that feels familiar but redrawn with a gentler hand. Silhouettes that float yet know where they’re going. The palette rests in tones that feel like an old tune played softly in the background. Those quiet moments that make your heart ache a little, that’s where 𝐁𝐄𝐋𝐎𝐕𝐄𝐃 took root.

𝐁𝐄𝐋𝐎𝐕𝐄𝐃 is a garden where strength and gentleness co-exists, and love feels rooted and free. It is for the woman who remembers without holding on too tightly, who chooses to love and feel fully herself.